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The Landlubber

  • Here
  • There
  • (I wanna be with you) Everywhere
  • Exhibitions
  • About

The Rules of Attraction

What are the rules of attraction?

Sometimes it’s the barely visible scar on your nose from the time we broke into the motel pool in Occidental on my 30th birthday, three of us content in the shallows, you getting fancy with a dive from the treed-out darkness—and when you emerged from under the blue plastic pool cover you’d somehow skinned just the top of your nose without taking out all of your teeth, a miracle considering that earlier in the evening there’d already been a fractured jaw—a true accident unforeseen by the off-duty EMT and the tailgate that caused it—but of course we didn’t know the damage then and there was still a half case of wine and a handful of firecrackers and the motel parking lot as good a place as any to fall on your face and dust it off.

The casualties in those days both great and small but never boring.

Thursday 05.15.25
Posted by Mariah Gardner
 

Ticket to the Moon

One of my unofficial goals for this year (that I had largely forgotten about until today) is to spend time making art; not big important ‘Art’, just forcing myself to do some kind of creative thing without worrying whether the end result is cool or not. But also very specifically not the usual ‘creative’ stuff that’s one step from a chore (“I turned pants into shorts, fun!”) I can’t draw or paint worth a cat’s ass so I rarely doodle, and a short experiment with watercolors was ridiculously humbling until I found that I liked painting faces on coconuts. Who knew. I guess the point is to just give myself time for unstructured creativity, with no prescribed project to finish and the ability to toss or burn whatever when I’m done.

Another part of it, though, is that ‘giving myself time for creative play’ (or however you want to new age it) while the world is an absolute shit basket of atrocities feels not so much luxurious as selfish; it’s hard to justify spending an hour practicing my favorite words in cursive for the sheer joy of how it rolls and looks and feels, when I know there are people getting their hands blown off. On a bad day it’s impossible. But on a good day I’m able to think of it as part of the rebellion; the world is brutal and life is short, taking precious time to make art for no one but yourself—essentially saying “this is important to me and me alone”—is one way of giving the finger to the established notion that capitalism rules the game, as well as saying that your life and time are important, not just as a cog in the wheel or a hero-in-training. Everyone should be allowed the luxury of a few hours’ time to do something that excites their brain in a different way; most people can’t, but right now I can and I’m not going to take that for granted.

Maybe that’s all just a long-winded way of saying today I started reading an old Nat Geo and wound up making a collage and for two hours I was really, really happy.

Thursday 05.01.25
Posted by Mariah Gardner
 

Not If I See You First

Film from last summer, June-Sept 2024

Canon AE + Eastman double-X film

Saturday 04.26.25
Posted by Mariah Gardner
 

Here-ish. Now-ish.

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Looking forward but always looking back…happy new year to us.

Late summer 2022, Mamiya 645 + Portra film

Tuesday 01.03.23
Posted by Mariah Gardner
 

Better Late Than Sorry, Better Sorry Than Never

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What can I say? It's been a while. And it hasn't been all Sunday swims at China Camp, but who really wants to see the tear-streaked automotive bills and lunches cobbled together from the kindness of co-workers and the reality of cat ownership which involves a dusting of fur on every single thing I own? Oh, you do? I'll get right on it. Until then, let's get some selective memory up in here.

tags: 35mm, Film, Minolta
categories: Things around and about
Sunday 10.16.16
Posted by Mariah Gardner